May 2003
Led by Gary Louris high croon, the Jayhawks new sounds recall (as usual) Gram Parsons, The Band, and Sweetheart of the Rodeo-era Byrds, plus new (for the 'Hawks) references to David Bowie and Crosby, Stills & Nash. A couple tracks, though throwaways ("Talespin", "Save It For A Rainy Day"), are still enjoyable, but greater bliss abounds. "All the Right Reasons" creates campfire coziness with accordion, banjo and acoustic guitars. Space Oddity-era Bowie is celebrated with the dark vocals and surreal mood of "Dont Let The World Get In Your Way," while no one less than Freddy Fender gets his due in the twinkling bromides and hayride harmonies of "Angelyne." "Madman" exudes '70s drug damage with exotic percussion, smoky acoustic and brooding steel guitars all wrapped up in Manassas-like vocals. Not everything on Rainy Day Music is memorable. Some songs seem like little more than a good idea put to digital. But the overall sound is very good, as is expected with a menu of acoustic instruments and harmony vocals. Each instrument is distinct and fleshy, merging well with the vocals, which are well placed, but never too forward in the mix. Rainy Day Music wont keep you inside on a bright summer day, but youll search it out when the lights get low. GO BACK TO: |