August 2002
In fact, I Wish You Love could easily pass for a lost Transfer disc. The bouncy rhythms are all present and accounted for -- as is the irresistible swing that has always been a hallmark of MT. And yet, to call this album derivative would do both it and Ms. Siegel a grave injustice. For while Siegel cannot escape her past, shes canny enough to use that experience to create an album that is as full of femininity as it is of individuality. Even the track sequence is intelligent. The upbeat, swinging songs are followed by softer, more touchy-feely tunes, which helps hold one's attention for the disc's duration. Backed by a first-rate rhythm section consisting of pianist Cedar Walton, bassist David Williams and drummer Winard Harper, Siegel receives additional support from some of todays best jazzmen: Tom Harrell on flügelhorn, Bill Ware on vibes, and the inestimable David "Fathead" Newman on tenor sax. I Wish You Love was supervised, produced, mixed and mastered by Joel Dorn, a man who needs no introduction to jazz fans. The disc boasts top-notch sonics, as one would expect from Telarc. The individual instruments possess an extremely natural tonal balance, along with a wonderfully full soundstage. The drums have snap, the bass is full, and the piano, while it could have been a tad richer, has excellent inner detail. And wait until you hear Newmans sax. -- so breathy, so beautifully rendered. It is some of the best-recorded sax sound Ive heard. I Wish You Love allows Janis Siegel to demonstrate a side to her enormous vocal talent that shed been unable to showcase while a member of Manhattan Transfer. The twist Siegel puts on that tried-and-true formula will gladden the hearts of that band's fans -- and if youre not among them, then the individuality of I Wish You Love is sure to impress. GO BACK TO: |