February 1999
"Question" started
out as two songs, one fast, one slow. Moody Blues songwriter Justin Hayward wasn't
particularly happy with either one, apparently, but the combination has become one of the
group's most popular tunes. I have this recurring vision of Hayward starring in a
commercial where he's struggling at composing one night. While working on the duo of
melodies and having a drink, he has a revelation, bangs his beer can on his guitar, and
combines the two songs into one. Despite all the ideas like this one I present, I have yet
to convince Anheuser-Busch that they should provide me with free beer in return for
working on their advertising campaigns. After DAS hooks me up with his friends at Molson,
they'll be sorry.
[Hiccup] Where was I? Oh, yeah, listening to the new release of A Question of
Balance from Mobile Fidelity. While "Question" appears on a number of Moody
hits collections, they seem to re-record the song every time. So I grabbed the original CD
release [Decca/Threshold 820 211-2] and started listening. Note that Decca has remastered
this one themselves as well back in '97, but I haven't heard that version myself yet.
"Question"
- Decca: For a 1970 recording and an old CD, this is surprisingly clean. A rare
well-defined acoustic guitar and solid bass round out a much better-sounding song than
you'd normally expect just looking at the release date.
- MoFi: There's much more high-frequency detail on this one, with an enormous
improvement in the sense of recording space. The big bass note at 2:20 is solidified a
bit, but overall the already ample low-end isn't improved all that much.
"How Is It (We Are Here)"
- Decca: Compared with the previous song, there's a big improvement in how the lead
vocals sound here, with well-rendered reverberation.
- MoFi: Minor refinements include somewhat more precise percussion.
"Don't You Feel Small"
- Decca: It's compressed more than earlier tracks; hard to get excited about this
song with the old disc.
- MoFi: The breathy, distant, ethereal vocals really shine through on this
remastered disc. You can hear all the individual singers far more distinctly.
"The Balance"
- Decca: This one is somewhat noisy, and something in the recording or mastering
chain makes vocals like "Just open your eyes" sound overdriven.
- MoFi: Interestingly, there's even more hiss and noise on the remaster. While it
was only obvious during the quiet opening on the original, this version lets you pick it
out at several points during the song. But what you get in return is much clearer high
frequencies that lead to a more enjoyable focus. The vocals are still a touch sibilant,
but they're better.
The already complete liner notes of the Decca release are supplemented by Mobile
Fidelity with a four-page band interview conducted by John Reed in 1997. The discussion of
the album's context is rather interesting.
I didn't say a whole lot about the remastering of A Question of Balance because
it's somewhat subtle. Decca's old CD holds up shockingly well when compared directly
against the recent Mobile Fidelity remastering. I found the subjective improvements less
compelling than that I noted when looking at Long Distance Voyager.
Still, both audiophiles and Moody Blues collectors should find something like to like
about this latest release. What I'd really like to see Mobile Fidelity take on now that
they've finished with the "classic seven" titles from the Moodies is the
excellent Hayward/Lodge collaboration Blue Jays. Now that's an abysmal-sounding
CD. Those who don't upgrade their old copies of A Question of Balance will be
missing out on having the best available sound quality, but the original disc is still a
satisfying listen.
GO BACK TO:
|