How We Test PreamplifiersOur preamplifier measurements are performed in the
laboratory of Bascom H. King (BHK Labs), audio-engineering consultant and equipment
reviewer. The various tests are done with an Audio Precision System Two Cascade, the
premier piece of audio-measurement equipment. All measurements are performed separately
from the subjective evaluation -- the body of the review.
A word about the IHF testing conditions: The Institute of High Fidelity (IHF) came up with a set of
standards for measuring audio equipment in 1978, later updated by the Electronic
Industries Association (EIA) in 1981. Bascom King
has chosen to use a number of the IHF conditions for testing preamplifiers based on his
experience testing many preamplifiers for the now-defunct Audio magazine. |
This section contains some ancillary measurements in
tabular form. Measurements here include preamplifier gain and sensitivity, output
noise, AC-line power draw at idle, input/output polarity, and input and output impedance
at 1kHz.
The main purpose of this section is to
give pertinent details that correspond directly with the charts and help readers interpret
the visual data. Salient points about the chart results and additional measurements are
included, along with other pertinent comments on the preamplifiers behavior.
Chart 1
- Frequency Response at
Unity Gain with IHF and Instrument Loading |
- Purpose: Gives an indication of how flat
and uniform the frequency response of the preamplifier is and how this response varies
with output loading. This test is done by setting
the volume control for unity gain with IHF loading. A
standard IHF input signal level of 0.5V is applied.
What it tells you:
The
comparative response with IHF loading (10k ohms in parallel with 1000pF) and with the
instrument loading (100k ohm in parallel with 300pF) gives an idea what to expect with
different power-amplifier input impedances and interconnect capacitance. Some preamplifiers have relatively small film output
coupling capacitors and if connected to a power amplifier with low input impedance, some
loss of low-frequency response will occur. If
a long run of high-capacitance interconnect from preamplifier output to power amplifier
input is used, the high-frequency response with the IHF load will be relevant.
Chart 2A-D Frequency Response as Function of Volume-Control Setting |
- Purpose:
Shows how the frequency response and channel balance vary with volume-control setting. Volume control is set to maximum and a reference level is
established as 0dB. Output loading is IHF. Measuring the left channel, the volume is reduced to
-6dB, to 15dB below unity gain, and then to the -70dB level.
What
it tells you: With most designs, the high-frequency response will change with volume
setting because the source resistance that the power amplifier sees is a function of the
volume-control setting. The highest resistance
occurs at -6dB of attenuation, and, in most cases, this will cause the high-frequency
response of the preamplifier to be less than with the volume at maximum or down at lower
working attenuations of perhaps 15dB below unity gain, where most use occurs. In many instances, the preamplifier cant
sustain linear output at high frequencies at the elevated output level with the volume
control near full up with the standard input level of 0.5V.
In such cases, the high-frequency response will appear to roll off much sooner than
at lower levels due to the phenomena of slewing, where the output waveform looks more like
a triangle shape than the proper shape of a sinewave. For the reference input level
of 0.5V, there may be output clipping or high-frequency slewing at the maximum clockwise
level in some cases if the unit under test can't put out 5V with the usual preamp line
level gain of 20dB (10x).
Chart 3 - Distortion as a Function of Output Voltage and Frequency |
- Purpose: Illustrates how preamplifier distortion
varies with output voltage, frequency, and output loading. Measurements
are made at frequencies of 20Hz, 1kHz and 20kHz as a function of preamplifier output
voltage at unity gain and with IHF and instrument loading.
What it tells you: With most solid-state designs, there is not much
difference with IHF or instrument loading. With
most tube designs, there may be considerable difference in distortion versus output
loading.
Chart 4 - Distortion and
Noise Spectrum |
- Purpose: Shows a plot of the distortion
and noise of a 1kHz test signal at an output voltage of 0.5V for 0.5V input and IHF
loading.
What it tells you: At standard
output of 0.5V and IHF loading, this plot shows how much hum and noise are present along
with the distortion spectra of the 1kHz test signal.
Chart 5 - Tone-Control
Characteristics (if tone controls present) |
- Purpose: To plot the tone-control
characteristics.
What
it tells you:
The shape and range of boost and cut of the tone controls.
Chart 6 - Phono-Stage RIAA Equalization
Error (if phono stage present) |
- Purpose: To plot the accuracy of the
phono stage'ss RIAA equalization.
What it tells you: How well the
circuit design properly implements the RIAA equalization function.
Chart 6 - Phono-Stage Distortion vs.
Frequency and Output (if phono stage present) |
- Purpose: Illustrates how the
phono-circuit distortion varies with output voltage, frequency, and output loading. Measurements are made on a pre-equalized basis at
frequencies of 20Hz, 1kHz and 20kHz as a function of preamplifier output voltage and with IHF and instrument loading at the tape
output.
What it tells you: With
most solid-state designs, there is not much difference with IHF or instrument loading. With most tube designs, there may be considerable
difference in distortion and low-frequency response with output loading. In the case of these measurements at tape output, the
loading effect would be relevant to the input characteristics of whatever recording device
or other device connected to the tape output connectors.
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