Our integrated-amplifiers measurements are performed in the laboratory of Bascom H. King (BHK Labs), audio-engineering consultant and equipment reviewer. The various tests are done with an Audio Precision System Two Cascade, the premier piece of audio-measurement equipment. All measurements are performed separately from the subjective evaluation -- the body of the review.

This section contains some ancillary measurements in narrative form. The measurements include gain, signal-to-noise ratio, AC-line power draw at idle, and output impedance at 50Hz. We measure output impedance by injecting a constant 1 amp of current with frequency into the output of the integrated amplifier under test and measuring the resulting voltage developed across the output. Because the current is 1 amp, the measured voltage is equal to the magnitude of the output impedance in ohms. This value is checked against the output impedance calculated from the voltage drops measured in Chart 1 at the 1-watt output level and is generally in good agreement for the vast majority of tested amplifiers.  The basic measurements of frequency response, power output and distortion, signal-to-noise ratio, and damping factor are done with a reference input/output condition of 0.5V input set to produce 5W output into 8 ohm loads by adjustment of the unit’s volume control. Gain and input sensitivity are measured with the volume control at full clockwise rotation.

Power output with 1kHz test signal

This section indicates the power output of the integrated amplifier at 1% and 10% distortion levels and 8-, 4-, and 16-ohm impedances when the integrated amplifier is driven by a 1kHz test signal. In the case of tube integrated amplifiers with stated 8-ohm output terminals, the data was taken for that output. Otherwise, the data is taken on the single pair of output terminals provided. For solid-state integrated amplifiers, no data is provided for output at 16 ohms; all well-designed solid-state integrated amps should have no output-related issues at such a high impedance.

In cases where the 1% and 10% powers are close together, this generally is indicative of a design with quite a bit of negative feedback, typical of solid-state integrated amplifiers. Where the 1% and 10% powers are quite separated, this is typical of tube or solid-state integrated amps with little or no negative feedback. Generally speaking with the tube integrated amplifiers, the best load match for lowest distortion is the impedance that gives the highest power at 1% distortion.

General

The main purpose of this section is to give pertinent details that correspond directly with the charts, to help readers interpret the visual data. Salient points about the chart results and additional data measurements are included, along with other pertinent comments on the integrated amplifier’s behavior.

• Purpose: Gives an indication of how flat and uniform the frequency response of the integrated amplifier is and how this response varies with output loading. The response with the dummy speaker load suggests how much variation in frequency may occur when the integrated amplifier is actually driving a loudspeaker. If the frequency response varies significantly as a function of the volume-control setting, Chart 1 may be subdivided into several plots to show how the frequency response varies with volume-control setting.

  For the sake of completeness, here is a plot of the dummy load we use. Impedance magnitude is represented in red; phase is represented in magenta. The vertical scale is in ohms (disregard each "m").

What it tells you: Four measurements can be seen on this chart: frequency responses with open circuit, 8-ohm load, 4-ohm load, and dummy speaker loading at the integrated amplifier’s output. For tube integrated amplifiers with multiple impedance output connections, the 8-ohm output connector is used. The lower the output impedance, the less the output will change with loading and therefore the flatter the response delivered to a speaker load. On the chart, the lower the output impedance, the closer the three resistive loaded curves are to each other on the chart.

• Purpose: Shows how the integrated amplifier’s distortion (signal components in the output not present in the input) varies with amount of output power and output loading.
  
  What it tells you: Three or four measurements are displayed: 1kHz total harmonic distortion plus noise vs. power output for 8-, and 4-ohm resistive loading on the 8-ohm tap for tube integrated amplifiers, plus SMPTE IM distortion with 8-, and 4-ohm loading on the 8-ohm tap. Typically, solid-state integrated amplifiers will have low distortion up to the start of clipping where the amount of distortion will abruptly rise. Tube integrated amplifiers generally have higher amounts of distortion and merge into clipping more smoothly.

• Purpose: Illustrates how amplifier distortion varies with frequency.
  
  What it tells you: Four measurements are displayed here: Total harmonic distortion vs. frequency at four power levels ranging from 1W to a value at or near the rated power of the integrated amplifier. Output loading is shown for either 4- or 8-ohms, as indicated.

• Purpose: Shows how the integrated amplifier's damping factor varies with frequency.
  
  What it tells you: Damping factor is the value of the output impedance at a particular frequency divided into 8. With tube integrated amplifiers this measurement is made on the 8-ohm output tap if available. In a similar manner to Chart 1, this parameter measures the integrated amplifier’s ability to deliver a flat frequency to the load. The higher the damping factor -- and the lower the impedance, the two being inverses of each other -- the flatter the response is into a speaker load. The value of output impedance at 50Hz is given in the Additional Data section.

• Purpose: Plot of the harmonic distortion spectrum of a 1kHz test signal at an output power of 10W into an 8-ohm load.
  
  What it tells you: Since the frequency axis is logarithmic, it also allows a measure of the leakage of power-supply line harmonic frequencies into the amplifier output. Generally, it is preferable if the signal-frequency harmonics decrease rapidly after the third harmonic.

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