April 2008 
    JAS Audio Bravo
    2.3 Integrated Amplifier: Measurements
    All  amplifier measurements are performed
    independently by BHK Labs. Please click to learn
    more about how we test amplifiers there. All measurement data and graphical
    information displayed below are the property of SoundStage! and Schneider
    Publishing Inc. Reproduction in any format is not permitted. 
    
      - Measurements were made at 120V AC line voltage.
 
      - This integrated amplifier does not invert polarity.
 
      - AC line current draw: 2.5A.
 
      - Input impedance @ 1kHz: 35.0k ohms
 
      - Output impedance at 50Hz (8-ohm output)
 
      
        - Minimum feedback: 5 ohms
 
        - Maximum feedback: 1.7 ohms
 
       
      - Gain, output voltage divided by input voltage, volume at
        maximum, Lch/Rch
 
      
        - Minimum feedback: 14.5mV, 23.2dBW / 17.3mV, 24.8 dBW
 
        - Maximum feedback: 6.64mV, 16.4dBW / 7.03mV, 16.9 dB
 
       
      - Output noise, 8-ohm load, 1k-ohm input termination, Lch/Rch
Minimum feedback 
          - Volume control at reference position
              - wideband: 3.36mV, -58.5dBW / 4.29mV, -56.4dBW
 
              - A weighted: 0.858mV, -70.4dBW / 1.17mV, -67.7dBW
 
             
           
          - Volume control full clockwise
              - wideband: 1.72mV, -64.3dBW / 2.29mV, -61.8dBW
 
              - A weighted: 0.479mV, -75.4dBW / 0.606mV, -73.4dBW
 
             
           
          - Volume control full counterclockwise
              - wideband: 1.06mV, -68.5dBW / 1.37mV, -66.3dBW
 
              - A weighted: 0.264mV, -80.9dBW / 0.320mV, -78.9dBW
 
             
           
         
        Maximum feedback 
          - Volume control at reference position
              - wideband: 1.51mV, -65.5dBW / 1.81mV, -63.9dBW
 
              - A weighted: 0.383mV, -77.4dBW / 0.473mV, -75.5dBW
 
             
           
          - Volume control full clockwise
              - wideband: 0.549mV, -74.2dBW / 0.612mV, -73.3dBW
 
              - A weighted: 0.185mV, -83.7dBW / 0.204mV, -82.8dBW
 
             
           
          - Volume control full counterclockwise
              - wideband: 0.515mV, -74.8dBW / 0.573mV, -73.9dBW
 
              - A weighted: 0.123mV, -87.2dBW / 0.130mV, -86.8dBW
 
             
           
         
       
     
    
      Power output with 1kHz test signal - minimum
      feedback 
        - 8-ohm load at 1% THD: 0.94W
 
        - 8-ohm load at 10% THD: 17.3W
 
           
           
        - 4-ohm load at 1% THD: 120mW 
 
        - 4-ohm load at 10% THD: 5.3W
 
       
      Power output with 1kHz test signal - maximum
      feedback 
        - 8-ohm load at 1% THD: 5.0W
 
        - 8-ohm load at 10% THD: 19.3W
 
           
           
        - 4-ohm load at 1% THD: 0.21W 
 
        - 4-ohm load at 10% THD: 6.9W
 
       
      General 
      The Bravo 2.3 is a single-ended, tube-based design
      utilizing one of the large Russian 6C33 carbon-plate triodes for the output tube in each
      channel. The first-stage tube looks to be an octal-based pentode type that I havent
      seen before. A GZ34 rectifier is used for each channel. Since the design has a front-panel
      negative-feedback control, measurements were made for the extreme positions of this
      control -- minimum and maximum feedback. 
      Charts 1A and 1B show the frequency response of the amp
      with varying loads. As can be seen in chart 1A, with minimum feedback the output
      impedance, as judged by the distance of spacing between the curves of open-circuit, 8-ohm,
      and 4-ohm loading, is fairly high, with the result that there is likely to be significant
      coloration with speakers with widely varying impedance curves. The variation with the NHT
      dummy speaker load is in the range of +2dB to -3dB over the audio range. With the feedback
      control set to counterclockwise (maximum feedback), the measurements in chart 1B are more
      reasonable and more in line with the measurements of many tube amplifiers. Frequency
      response as a function of volume-control setting was essentially unchanged from full up to
      50dB of attenuation. Volume-control tracking between channels was within 1dB down to 60dB
      of attenuation. 
      Charts 2A and 2B illustrate how total harmonic distortion
      plus noise vs. power varies for 1kHz and SMPTE IM test signals at 4- and 8-ohm loads. The
      attainable maximum power, generally rated at 10% distortion, is greatest with an 8-ohm
      load on the 8-ohm output connection. The reduced power and higher distortion with 4-ohm
      loading on the 8-ohm output would not be the case when a 4-ohm load is driven from the
      4-ohm output. Then the performance would be essentially like the 8-ohm loading on the
      8-ohm output. Not tested, 16-ohm loading on the 8-ohm output would likely yield less power
      but with lower distortion than either 8- or 4-ohm loading. 
      Total harmonic distortion plus noise as a function of
      frequency at several different power levels for 8-ohm loading on the 8-ohm output is
      plotted in Charts 3A and 3B. As is typical, distortion rises at both ends of the audio
      range and noticeably more so with maximum negative feedback, as in Chart 3B. 
      Damping factor vs. frequency as measured on the 8-ohm
      output is shown in Chart 4. Here, with maximum feedback, the damping factor is highest but
      with more variation over the audio range. 
      A spectrum of the harmonic distortion and noise residue of
      a 10W 1kHz test signal is plotted in Charts 5A and 5B. The amount of AC-line harmonics,
      especially the 120Hz component, are rather high. As shown in the output-noise
      measurements, hum would likely be audible with high-sensitivity speakers. The decay of the
      signal harmonics with increasing order is more uniform in Chart 5B with the
      maximum-feedback condition. 
     
    
      
        | Chart 1
        - Frequency Response of Output Voltage as a Function of Output Loading  | 
       
     
    A - Minimum Feedback 
      
    Red line: open circuit 
    Magenta line: 8-ohm load 
    Blue line: 4-ohm load 
    Cyan line: NHT dummy-speaker load 
    B - Maximum Feedback 
      
    Red line: open circuit 
    Magenta line: 8-ohm load 
    Blue line: 4-ohm load 
    Cyan line: NHT dummy-speaker load 
    
      
        | Chart 2 - Distortion as a Function
        of Power Output and Output Loading | 
       
     
    A - Minimum Feedback 
      
    (line up at 1W to determine lines) 
    Top line: 4-ohm SMPTE IM 
    Second line: 8-ohm SMPTE IM 
    Third line: 4-ohm THD+N 
    Bottom line: 8-ohm THD+N 
    B - Maximum Feedback 
      
    (line up at 1W to determine lines) 
    Top line: 4-ohm SMPTE IM 
    Second line: 8-ohm SMPTE IM 
    Third line: 4-ohm THD+N 
    Bottom line: 8-ohm THD+N 
    
      
        | Chart 3 - Distortion
        as a Function of Power Output and Frequency | 
       
     
    A - Minimum Feedback 
      
    8-ohm output loading 
    Green line: 15W 
    Cyan line: 10W 
    Blue line: 3W 
    Magenta line: 1W 
    Red line: 0.3W 
    B - Maximum Feedback 
      
    8-ohm output loading 
    Green line: 15W 
    Cyan line: 10W 
    Blue line: 3W 
    Magenta line: 1W 
    Red line: 0.3W 
    
      
        | Chart 4 - Damping Factor
        as a Function of Frequency | 
       
     
      
    Damping factor = output impedance divided into 8 
    Red line: maximum feedback 
    Magenta line: minimum feedback 
    
      
        | Chart 5 - Distortion and
        Noise Spectrum | 
       
     
    A - Minimum Feedback 
      
    1kHz signal at 10W into an 8-ohm load 
    B - Maximum Feedback 
      
    1kHz signal at 10W into an 8-ohm load 
       |