Colin Smith - January 11, 2009

Four days and many, many walking miles ago, I embarked on my first CES. Now that it’s over I have an observation about demonstrating audio systems that I’d like to share.

There seems to be a predilection among many audio manufacturers to demo their systems -- whether they make the electronics or the speakers -- with music that does little to provide any insight into what the gear can actually do. Considering the great expense these companies go to in order to ship their products to Las Vegas and set them up in high-priced hotel suites, that seems like a silly policy.

I appreciate most styles of music, but I also know that chamber music and instrumental and vocal solos are not able to push an audio system to its limits. Yes, a violin or flute solo can offer great insight into the performance of a tweeter, and vocals are a great help in determining how well a component performs in the midrange, but those individual things do not a whole frequency range make. Despite this, room after room had music playing that had most or all of its energy from the midband to the mid-treble. What of the woofer?

It’s probably not a coincidence that the systems that really stood out to the SoundStage! Network crew -- in the Anthony Gallo Acoustics, Focus Audio, TAD, Magico and EgglestonWorks rooms, for example -- played a wide variety of music, almost all of it containing instruments and voices that produce sound in the treble and bass clefs. Classical guitar or harp are all wonderful things, but they tell us nothing about a speaker’s bass response or its ability to commingle the output of different instruments into something bigger than the sum of its parts. The systems and speakers are full range, and so are our ears, so why not the demo music?

The Anthony Gallo Acoustics room was one of my favorites at this show because the people there weren't scared to play any music to show what the system could really do. [www.roundsound.com]